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GAND 2021

Programma ricco per il 48° Festival di Gent

di 

- Questa edizione quasi post-Covid, è piena di prestigiose anteprime e propone un ricco programma belga

Programma ricco per il 48° Festival di Gent
La Civil di Teodora Ana Mihai

Questo articolo è disponibile in inglese.

The Film Fest Gent is back in top form for its 48th edition with a rich programme of Belgian and international premieres from 12 to 23 October.

Ghent audiences will be able to discover a plethora of highly anticipated films such as Leos Carax's Annette [+leggi anche:
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, Wes Anderson's The French Dispatch [+leggi anche:
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, Pablo Larrain's Spencer [+leggi anche:
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, Pedro Almodovar's Parallel Mothers [+leggi anche:
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making of
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, Ridley Scott's The Last Duel [+leggi anche:
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or the new Jacques Audiard (Paris, 13th District [+leggi anche:
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), Bruno Dumont (France [+leggi anche:
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intervista: Bruno Dumont
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) or Gaspar Noé (Vortex [+leggi anche:
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), all of which were discovered in Cannes or Venice.

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The latter will be in the Official Competition with his film. Facing him are 14 serious competitors, including two Belgian films with very different profiles: Inexorable [+leggi anche:
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intervista: Fabrice Du Welz
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, the new film by Fabrice Du Welz, a declaration of love to film noir as much as to erotic thrillers, which has just been to the Toronto Film Festival, and Playground [+leggi anche:
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intervista: Laura Wandel
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, the first feature film as delicate as it is powerful by Laura Wandel, winner of the FIPRESCI Prize at the Certain Regard in Cannes last July.

Also in Competition will be the Italian film A Chiara [+leggi anche:
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intervista: Jonas Carpignano
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by Jonas Carpigano, Label Europa Cinemas at the recent Directors' Fortnight in Cannes, the Swiss film The Girl and the Spider [+leggi anche:
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intervista: Ramon Zürcher e Silvan Zür…
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by brothers Ramon and Silvan Zürcher, the Norwegian film The Worst Person in the World [+leggi anche:
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intervista: Joachim Trier
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]
 by Joachim Trier (the romantic comedy of the Cannes festival, starring the extraordinary Renate Reinsve, winner of the Interpretation Prize), but also two Georgian films, Wet Sand [+leggi anche:
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intervista: Elene Naveriani
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by Elene Naveriani, a co-production with Switzerland, and What Do We See When We Look at the Sky? [+leggi anche:
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intervista: Alexandre Koberidze
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by Alexandre Koberidze, co-produced with Germany.

Also in Competition is the Greek film Apples [+leggi anche:
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intervista: Christos Nikou
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by Christos Nikou, which opened the Orizzonti section in Venice last year, as well as two Spanish-language films co-produced in Belgium, Libertad [+leggi anche:
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intervista: Clara Roquet
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]
by the Spaniard Clara Roquet and Clara Sola [+leggi anche:
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intervista: Nathalie Álvarez Mesén
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by the Swedish-Costa Rican Nathalie Alvarez Mesen. There is also the new film by the great Thai filmmaker Apichatpong Weerasethakul, Memoria [+leggi anche:
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, which won the Jury Prize at Cannes and was recently selected by Colombia for the Oscars, Captain Volkonogov Escaped [+leggi anche:
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by Russians Natasha Merkulova and Aleksey Chupov, and Faya Dayi by Jessica Beshir, the co-production between the United States, Ethiopia and Qatar which won the last Visions du Réel Festival.

Finally, the rich programme includes many previews of highly anticipated Belgian films: Teodora Ana Mihai's La Civil [+leggi anche:
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intervista: Teodora Ana Mihai
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]
, discovered at Cannes, will open the festival; Animals [+leggi anche:
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intervista: Nabil Ben Yadir
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, Nabil Ben Yadir's new film, which promises to be radical; The Hive [+leggi anche:
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intervista: Christophe Hermans
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]
, Christophe Hermans' first feature film with an all-female cast full of revelations (alongside Ludivine Sagnier, we find young Belgian actresses Sophie Breyer and Mara Taquin, as well as Bonnie Duvauchelle); SpaceBoy [+leggi anche:
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intervista: Olivier Pairoux
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]
by Olivier Pairoux, a family film in French that is both pop and nostalgic, a small UFO in the landscape of French-speaking Belgian cinema; as well as two first Flemish films with very particular universes, Dealer [+leggi anche:
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]
by Jeroen Perceval and Cool Abdoul by Jonas Baeckeland.

(L'articolo continua qui sotto - Inf. pubblicitaria)

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