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FESTIVAL / PREMI Slovacchia

Il cinema slovacco e ungherese sotto i riflettori al Cinematik Film Festival

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- La line-up della 16ma edizione del raduno include una serie di film europei premiati di recente nei festival

Il cinema slovacco e ungherese sotto i riflettori al Cinematik Film Festival
107 Mothers di Peter Kerekes

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The International Film Festival Cinematik will welcome Peter Kerekes’s recently Venice-premiered film 107 Mothers [+leggi anche:
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intervista: Peter Kerekes
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on its domestic turf as the film will open the festival’s 16th edition. Cinematik will celebrate Slovak cinema with further titles, led by Peter Bebjak’s Best Foreign-Language Oscar nominated film The Auschwitz Report [+leggi anche:
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intervista: Peter Bebjak
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]
, Michaela Pavlátová’s animated drama My Sunny Maad [+leggi anche:
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intervista: Michaela Pavlátová
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, father-daughter Hungarian-Slovak drama Wild Roots [+leggi anche:
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by Hajni Kis, and Erika Hníková’s documentary Every Single Minute [+leggi anche:
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intervista: Erika Hníková
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. The competition section Cinematik.doc will present the latest crop of Slovak documentaries, including Miro Remo’s high-octane portrait of “an angry man” At Full Throttle [+leggi anche:
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intervista: Miro Remo
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]
, Maia Martiniak’s exposé on birth trauma Unseen [+leggi anche:
intervista: Maia Martiniak
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]
, Marek Janičík’s portrait of one of the most significant Slovak literary personalities of the 20th century The Wandering Dutchman Ľubomír Feldek, and Lucia Kašová’s feature debut The Sailor [+leggi anche:
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.

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In addition to this focus on domestic titles, the festival’s section Magnified showcasing national cinemas will be highlighting Hungarian films: genre fare with crime thrillers Tall Tales, Valan – Valley of the Angels [+leggi anche:
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, and Loop [+leggi anche:
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, vampire retro-comedy Comrade Drakulich [+leggi anche:
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intervista: Márk Bodzsár
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and Gábor Reisz’s poetical semi-autobiographic drama Bad Poems [+leggi anche:
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will be accompanied by Szabolcs Hajdu’s Karlovy Vary Best Film winner It’s Not the Time of My Life [+leggi anche:
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intervista: Szabolcs Hajdu
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. Furthermore, the retrospective section Respect will be dedicated to Hungarian filmmaker Ildikó Enyedi, mapping her career with her shorts Mole and Invasion, her feature debut My 20th Century, Simon, the Magician, Golden Bear-winning drama On Body and Soul [+leggi anche:
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intervista: Ildiko Enyedi
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intervista: Réka Tenki
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]
, and her most recent work The Story of My Wife [+leggi anche:
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intervista: Ildikó Enyedi
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.     

European arthouse fare is traditionally shown in the competition section Meeting Point Europe, rounding up films from current and previous festival seasons. Radu Jude’s Golden Bear-winning film Bad Luck Banging or Loony Porn [+leggi anche:
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intervista: Radu Jude
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and Alexandre Koberidze’s What Do We See When We Look at the Sky? [+leggi anche:
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intervista: Alexandre Koberidze
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will be screened along with award-winning films such as Andrei Konchalovsky’s Dear Comrades! [+leggi anche:
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, Jasmila Žbanić’s Quo Vadis, Aida? [+leggi anche:
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intervista: Jasmila Žbanić
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or Victor Kossakovsky’s Gunda [+leggi anche:
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. More European films can be found scattered throughout the festival's line-up, such as Juja Dobrachkous' Bebia, à mon seul désir [+leggi anche:
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intervista: Juja Dobrachkous
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 and Joachim Trier's The Worst Person in the World [+leggi anche:
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intervista: Joachim Trier
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in the Artistic Directors selection, animated film Fritzi: A Revolutionary Tale [+leggi anche:
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and Michel Hazanavicius' The Lost Prince [+leggi anche:
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in the section Other Spaces, and Paul Verhoeven's latest provocation Benedetta [+leggi anche:
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and Valdimar Jóhannsson's Lamb [+leggi anche:
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intervista: Valdimar Jóhannsson
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]
in the section Paths of Glory.

The full line-up of the 16th edition of the International Film Festival Cinematik in the Spa town of Pieštany, Slovakia is available here.

(L'articolo continua qui sotto - Inf. pubblicitaria)

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