At just 26 years of age, having already been a member of the Comédie Française since 2015, Rebecca Marder is continuing to spread her cinematic wings by way of Great Expectations [+leggi anche:
recensione
scheda film] - Sylvain Desclous’ second feature film after Who’s Your Daddy? [+leggi anche:
trailer
scheda film] (2016) - which began filming on 16 August. Her second lead role after A Radiant Girl [+leggi anche:
recensione
trailer
scheda film] (discovered in July during Cannes’ Critics’ Week – due for French release in January), the actress also recently turned heads on the Croisette by way of Deception [+leggi anche:
recensione
trailer
intervista: Arnaud Desplechin
scheda film] (which will be released in France on 29 December) and was similarly well-received in Mama Weed [+leggi anche:
trailer
scheda film], Spring Blossom [+leggi anche:
recensione
trailer
intervista: Suzanne Lindon
scheda film] and Someone, Somewhere [+leggi anche:
trailer
scheda film], to name just a few. She has just finished filming The Great Magic [+leggi anche:
recensione
trailer
scheda film] by Noémie Lvovsky and will also be touring cinemas as of February in Simone, A Woman of the Century.

(L'articolo continua qui sotto - Inf. pubblicitaria)

Joining her in the cast of Great Expectations are Benjamin Lavernhe (nominated for the 2021 and 2020 Best Supporting Role Césars thanks to My Donkey, My Lover & I [+leggi anche:
recensione
trailer
scheda film] and Love at Second Sight [+leggi anche:
trailer
scheda film], and for the 2018 Best New Hope César by way of C’est La Vie! [+leggi anche:
recensione
trailer
scheda film], recently well-received in The Speech [+leggi anche:
recensione
trailer
scheda film], and soon to be seen in Venice in Les Choses humaines [+leggi anche:
recensione
trailer
intervista: Yvan Attal
scheda film], in cinemas on 8 September in Délicieux [+leggi anche:
trailer
scheda film] and in Pleurer des rivières next year), Emmanuelle Bercot (named Best Actress in Cannes 2015 via My King [+leggi anche:
recensione
trailer
scheda film], soon to travel to Venice by way of Ma nuit [+leggi anche:
recensione
trailer
intervista: Antoinette Boulat
scheda film], viewable on Amazon Prime Video as of 17 September in The Mad Women’s Ball [+leggi anche:
trailer
scheda film] and in cinemas in 2022 via Goliath), Marc Barbé (Ogres [+leggi anche:
recensione
trailer
scheda film], La Vie En Rose [+leggi anche:
trailer
scheda film]) and Pascal Elso (who’s collaborating with the director once again, after Who’s Your Daddy?).

Written by Sylvain Desclous in league with Pierre Erwan Guillaume (Haut les cœurs !) and Olivier Lorelle (awarded the 2006 Best Original Screenplay César for Days of Glory [+leggi anche:
recensione
trailer
intervista: Jean Bréhat
intervista: Rachid Bouchareb
scheda film] and nominated in the 2012 Best Adaptation category for Omar Killed Me [+leggi anche:
trailer
scheda film]), the story begins in the summer of 2018. Having just graduated from Sciences Po, Madeleine sets off to prepare for her oral ENA exams in Corsica with Antoine, her boyfriend who shares her very left-wing political convictions. But an unexpected encounter on a small, deserted road will seal their fate…

Great Expectations is being produced by Florence Borelly on behalf of Sésame Films and co-produced by Auvergne-Rhône-Alpes Cinéma. Pre-purchased by Canal+ and Ciné+, the feature film also enjoys the support of the Auvergne-Rhône-Alpes region, of the Collectivity of Corsica and of the SOFICA company Cinéventure. The six-week film shoot will end on 24 September, with Julien Hirsch (who scooped the 2007 César in his category for Lady Chatterley [+leggi anche:
recensione
trailer
scheda film], and was nominated for the awards once again in 2012, by way of The Minister [+leggi anche:
recensione
trailer
intervista: Pierre Schoeller
scheda film]) helming photography. Distribution in France will be entrusted to The Jokers Films, while international sales are still under negotiation.