The Brussels-based company Be For Films (a branch of Playtime), its CEO Pamela Leu and her team composed of Alix de Montblanc and Lisa De Rooster are entering with confidence this 7th Cannes Marché du Film, where they will be selling among other titles Charline Bourgeois-Tacquet’s Anaïs in Love [+leggi anche:
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intervista: Charline Bourgeois-Tacquet
scheda film], which will be shown in a Special Screening to celebrate the 60th anniversary of Cannes’ Critics' Week. Starring in this film about modern love and chance encounters are Anaïs Demoustier, Valeria Bruni-Tedeschi and Denis Podalydès. Produced by Les Films Pelléas and Année Zéro, the film will be distributed by Haut et Court in France on 15 September.

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We stay on the topic of love with Eve Deboise (Lost Paradise [+leggi anche:
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scheda film]) and her Little Lesson of Love [+leggi anche:
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scheda film], which Be For Films is presenting at the Marché (6-15 July) and at the Pré-Cannes Screenings (21-25 June). Produced by French company Blue Monday Productions and Swiss company P.S. Productions, the film centres on the unexpected encounter between Julie (Laetitia Dosch) and Mathieu (Pierre Deladonchamps), opposites in almost every way, who will nevertheless become inseparable. 

Also shown at the Pré-Cannes Screenings is Nous tous, a Belgian documentary from Pierre Pirard, produced by Belgian company Almolu. The film recalls Tomorrow [+leggi anche:
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scheda film] in its approach but, instead of the environment, focuses on society, and tells the stories of audacious citizens who are reinventing the family, education, social relations, culture, work, etc. 

Be For Films will also present at the Marché the first images from À plein temps [+leggi anche:
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intervista: Eric Gravel
scheda film] by Eric Gravel (Crash Test Aglaé [+leggi anche:
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scheda film]), starring another unmissable French actress, Laure Calamy (winner of the Best Actress César award last March). This film too centres on a woman called Julie, a single mother who struggles to reconcile her family life and her work in a Parisian palace, maintaining a precarious balance which will be disturbed by a transport strike. Produced by Novoprod, the film will also be distributed in France by Haut et Court (read the news).

Based in Bruxelles, Be For Films logically enough presents a beautiful line-up of Belgian films, including Madly in Life [+leggi anche:
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intervista: Raphaël Balboni e Ann Sirot
scheda film], the feature debut from Ann Sirot and Raphaël Balboni, which is winning a growing list of awards at festivals and will be released in Belgium and France in the autumn; The Last Temptation of the Belgians [+leggi anche:
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intervista: Jan Bucquoy
scheda film] which marks the return of Belgian cinema’s troublemaker Jan Bucquoy (Camping Cosmos, La Vie Sexuelle des Belges); but also films that have just completed filming, such as Habib [+leggi anche:
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intervista: Benoît Mariage
scheda film], the anticipated film from Benoît Mariage (Scouting for Zebras [+leggi anche:
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scheda film]), and the new film from Hans Herbots, Ritual (read the news) whose previous film The Treatment [+leggi anche:
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scheda film] was also sold by Be For Films.

Also in the Be For Films line-up are three French films. South Sentinel [+leggi anche:
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intervista: Mathieu Gérault
scheda film], the feature debut from Mathieu Gerault , about the difficult return to France of a soldier who survived a deadly ambush in Afghanistan. Another French film in the line-up, and which just completed filming, is Le Prix du passage [+leggi anche:
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scheda film], the new film from Thierry Binisti, centred on a young mother fighting for her independence and whose idea of the world is thrown into question when she meets a young illegal immigrant trying to gather the money he need to pay for his crossing to England. Concluding the line-up is The World After Us [+leggi anche:
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intervista: Louda Ben Salah-Cazanas
scheda film] by Louda Ben Salah-Cazanas, discovered at the latest Berlinale.