The first clapperboard is set to slam on 2 June for Everybody Loves Jeanne [+leggi anche:
recensione
trailer
scheda film], which will be the first feature film offered up by Céline Devaux who has won multiple awards for her animated shorts, not least Gros chagrin (which scooped the Golden Lion at Venice 2017) and Sunday Lunch (the winner of the 2016 Best Animated Short César), and who is now making the leap to live action fiction (although the film will also feature several animated scenes).

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The cast will be led by Blanche Gardin (recently at her very best in Delete History [+leggi anche:
recensione
trailer
scheda film], and hitting cinemas on 1 September in France [+leggi anche:
recensione
trailer
intervista: Bruno Dumont
scheda film] and later on in Oranges sanguines) and Laurent Lafitte (who is hitting cinemas in his directorial debut The Origin of the World [+leggi anche:
recensione
trailer
intervista: Laurent Lafitte
scheda film] on 15 September, and who has just finished filming in Netflix’s Tower of Strength, which is the sequel to On the Other Side of the Tracks [+leggi anche:
trailer
scheda film]). Likewise in on the act are Maxence Tual (recently seen in My Donkey, My Lover and I [+leggi anche:
recensione
trailer
scheda film]), Swiss actress Marthe Keller (well-received in My Wonderful Wanda [+leggi anche:
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intervista: Bettina Oberli
scheda film] and My Little Sister [+leggi anche:
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intervista: Stéphanie Chuat e Véroniqu…
scheda film]) and Portugal’s Nuno Lopes (Saint George [+leggi anche:
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trailer
Q&A: Marco Martins
scheda film]).

Written by the director herself, the story revolves around Jeanne who was loved by everyone when she was young. Now, at forty years of age, Jeanne despises herself. Drowning in debt, she must travel to Lisbon to sell the apartment which belonged to her mother who died two years previously because of Jeanne. On the way she meets Jean: they were at high school together and he refuses to leave her alone.…

Everybody Loves Jeanne is produced by Sylvie Pialat and Benoît Quainon on behalf of Paris firm Les Films du Worso and is co-produced by Portugal’s O Som e a Furia, Belgium’s Scope Pictures and France 3 Cinéma. Pre-purchased by Canal+, Ciné+ and France 3, the feature film also benefits from a CNC advance on receipts, as well as funding from the Portuguese ICA fund for minority co-productions, from the French-Portuguese fund (ICA/CNC), and from the SOFICA companies La Banque Postale Image, Indéfilms and Cinéventure, without forgetting finance in the form of French tax credit, the Portuguese cash rebate, Belgium’s Tax Shelter initiative and, in the development phase, backing from Ciclic, the CNC and Procirep. The nine-week film shoot will unfold until 6 August in Lisbon and Paris, with Belgium’s Olivier Boonjing heading up photography (he won the 2017 Magritte in his speciality for Parasol [+leggi anche:
recensione
trailer
scheda film]). Interestingly, the film’s music will be composed by Flavien Berger. Distribution in France will be handled by Diaphana and that in Portugal by Desforra Apache. International sales will be steered by Elle Driver.

For the record, Les Films du Worso are currently overseeing post-production on The Lockdown Tower [+leggi anche:
trailer
scheda film] by Guillaume Nicloux, as well as on the co-production La abuela [+leggi anche:
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trailer
intervista: Paco Plaza
scheda film] by Spanish director Paco Plaza (based on a screenplay by Carlos Vermut).