The Belgian Minister of Culture has just announced the results of the first 2020 session of the Wallonia-Brussels Federation Film and Audiovisual Centre’s Film Selection Committee. Exceptional circumstances call for exceptional measures, and so the hearings for this first session of the year were held remotely, while it was also possible to send submissions for the second committee 100% online.

Among the 56 projects receiving backing are feature films by multidisciplinary talents such as musician Baloji, who has already helmed several short films, and whose feature debut, Omen [+leggi anche:
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intervista: Baloji
scheda film], produced by Eve Commenge for Anonymes Films, is receiving production support. Meanwhile, Thomas Gunzig and Adeline Dieudonné, two key figures in the Belgian French-language literature scene, have been granted writing support for their joint project Le Ventre Idéal, produced by Diana Elbaum for Beluga Tree.

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Three other majority Belgian features are being backed at the production stage. In La vierge à l’enfant [+leggi anche:
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scheda film] (produced by Playtime Films), Berivan Binevsa will tell the story of a young Yazidi woman and how she takes revenge on the man who enslaved her. Micha Wald (In the Arms of My Enemy [+leggi anche:
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scheda film], Simon Konianski [+leggi anche:
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intervista: Micha Wald, regista di Sim…
scheda film]) is back with L’Ile de la demoiselle (Stenola Productions), a period film set in Quebec in the 16^th century, while Olivier Ringer (Pom, le Poulain, On the Sly [+leggi anche:
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scheda film], Birds of Passage [+leggi anche:
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scheda film]) is preparing Les Gentils (staged by Ring Prod).

Also of note is the support conferred upon the eagerly awaited sophomore features by auteurs who have already made quite an impact. Marta Bergman (Alone at My Wedding [+leggi anche:
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intervista: Marta Bergman
scheda film], selected for the ACID) is being backed for the development of L’Enfant Bélier (Frakas Productions), a fiction film loosely based on the death of little Syrian girl Mawda, a migration-related tragedy and human-interest story that rocked Belgium, while Matthieu Donck, still basking in the success of the series The Break, is delivering L’été de mes 40 ans, a new comedy on the heels of Torpedo [+leggi anche:
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scheda film], which came out a few years ago. After his Magritte Award for Best First Film for Bitter Flowers [+leggi anche:
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intervista: Olivier Meys
scheda film], Olivier Meys is writing Réveille-moi, the story for which is set in a centre for asylum seekers. Also noteworthy is the writing support being provided to an auteur behind several medium-length titles, Claude Schmitz (Carwash [+leggi anche:
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scheda film]), who is preparing his feature debut, Les Détectives.