Filming came to an end on 23 December for The Butcher's Daughter [+leggi anche:
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scheda film], Christopher Thompson’s second feature film as a director following his initial Bus Palladium [+leggi anche:
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scheda film] (which earned two César nominations in the categories of Male Newcomer and Musical Score in 2011). Standing tall in lead roles are Arnaud Ducret (Roommates Wanted [+leggi anche:
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scheda film], Les Profs [+leggi anche:
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scheda film] and Les Profs 2 [+leggi anche:
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scheda film]; seen in A Better Life [+leggi anche:
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intervista: Cédric Kahn
scheda film]; hitting cinemas on 25 March 2020 in Divorce Club) and Géraldine Pailhas (nominated Best Supporting Actress at the 2014 and 2004 César Awards for Young and Beautiful [+leggi anche:
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intervista: François Ozon
scheda film] and Le Coût de la Vie, likewise well received in The Sower [+leggi anche:
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intervista: Anamaria Vartolomei
intervista: Marine Francen
scheda film], Portrait of the Artist [+leggi anche:
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scheda film] and Espion(s) [+leggi anche:
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scheda film], among others, as well as the series Marseille), who are flanked by Belgium’s Stéphane de Groodt (Nothing To Hide [+leggi anche:
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intervista: Fred Cavayé
scheda film], Corporate [+leggi anche:
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intervista: Nicolas Silhol
scheda film]), alongside Alison Wheeler (revealed in Mon père est femme de ménage [+leggi anche:
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scheda film]; touring cinemas as of 18 March in Forte).

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Written by Christopher Thompson (nominated for the 2000 and 2007 Best Screenplay César via Season’s Beatings and Orchestra Seats [+leggi anche:
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scheda film]) and Fabrice Roger-Lacan (Mon cousin), the story sees Charly, editor-in-chief at a fashion magazine, inherit the family butcher’s upon her father’s death. And just as she’s getting ready to sell it, young butcher Martial decides to fight to take over the business. These two diametrically opposed characters will need to learn to co-exist…

Produced by Jean Cottin on behalf of Les Films du Cap and by Christopher Thompson for M&M Films, The Butcher's Daughter is co-produced by G Films and Belgian group Scope Pictures. Supported by the Ile-de-France region, the SOFICA companies La Banque Postale Image, Manon, SofiTVciné and Cinécapital, not to mention Procirep, the feature was shot over the course of seven weeks, starting 12 November, with Rémy Chevrin in charge of cinematography. French distribution will be led by Orange Studio and international sales by Other Angle Pictures.