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JIHLAVA 2019

La 23e Ji.hlava IDFF célèbre les femmes et les documentaristes centre- et est-européens

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- Le plus grand festival du documentaire de l'Europe centrale et orientale, qui se tiendra du 24 au 29 octobre, présentera 277 documentaires créatifs

La 23e Ji.hlava IDFF célèbre les femmes et les documentaristes centre- et est-européens
The Calling d'Erik Praus

Cet article est disponible en anglais.

The Ji.hlava International Documentary Film Festival is bracing for its 23rd edition (24-29 October). The festival’s programmers have created this year’s line-up, consisting of 277 films, from a total number of 3,700 submitted movies. “Unlike last year, when we presented a broad retrospective of direct cinema and cinéma vérité, combining the filmmaking production of the USA, Canada and France, this year, we have decided to pay substantial attention to Eastern European filmmakers,” festival director Marek Hovorka explains.

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The gathering will introduce comprehensive retrospectives of Kazakh director Sergei Dvorstevoy and Ukrainian filmmaker Feliks Sobolev, accompanied by a unique showcase of Ukrainian experimental films from the 1960s and 1990s. The retrospective section will be complemented by a showcase of movies by avant-garde artist Man Ray as well as Slovak documentary films from the 1960s. The competition section for Central and Eastern European directors, Between the Seas, will screen Slovakian documentarian Jaro Vojtek’s latest film, Paradise on Earth, as well as Erik PrausThe Calling [+lire aussi :
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, Goran Radovanovic’s The Makavejev Case or Trial in a Movie Theater [+lire aussi :
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, Margit Lillak’s The Circle [+lire aussi :
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and Bogdan Stoica’s Canadian-produced The Irreversible Consequences of Slipping on a Banana Peel.

The crucial theme of the 23rd edition will be “Women in Change”, focusing on films by and about women. The festival director believes that works created by women “draw our attention by evocatively opening up painful issues, being formally innovative and lending an empathic ear to the stories of others”. The titles selected to tie in with this theme include Pia Hellenthal’s Searching Eva [+lire aussi :
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interview : Pia Hellenthal, Eva Collé
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, Alexe Poukine’s That Which Does Not Kill [+lire aussi :
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interview : Alexe Poukine
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and Ursula Macfarlane’s Untouchable [+lire aussi :
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. Nine films will compete for the Best World Documentary Film accolade in the Opus Bonum section, including Greta Stocklassa’s Kiruna – A Brand New World [+lire aussi :
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, Arnaud de Mezamat’s Wishing You the Same [+lire aussi :
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, Roz Mortimer’s The Deathless Woman [+lire aussi :
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, and Michele Manzolini and Federico Ferrone’s Once More unto the Breach [+lire aussi :
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interview : Federico Ferrone et Michel…
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The latest crop of domestic documentary films will be on display in the Czech Joy section, including Dagmar Smržová’s latest foray investigating the sexuality of disabled people, I Want You if You Dare [+lire aussi :
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; Robert Sedláček’s reflection on 30 years of democracy through court hearings in The Judge over the Czech Way; Jiří Zykmund’s Lost Coast; and Filip Remunda’s #sandrainuganda, following a 26-year-old influencer of Bosnian origins as she encounters poverty and technological backwardness in Uganda.

As usual, the Ji.hlava IDFF will offer a plethora of off-screen events and highlights, such as master classes by Romanian New Wave director Cristi Puiu, Macedonian producer Atanas Georgiev, Sergei Dvortsevoy and Barbora Chalupová (who teamed up with Vít Klusák as one of the authors of Caught in the Net [+lire aussi :
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, which homes in on the issue of online child abuse), an array of virtual-reality works and videogames, and the Inspiration Forum, set to welcome over 100 personalities from outside the film realm.

The 23rd edition of the Ji.hlava International Documentary Film Festival runs from 24-29 October, and the full programme is available here.

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(Traduit de l'anglais)

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