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SAN SEBASTIAN 2019 Zabaltegi-Tabakalera

San Sebastian complète la sélection de sa surprenante section Zabaltegi-Tabakalera

par 

- Le volet le plus audacieux du festival basque proposera aux spectateurs les nouveaux films de Bertrand Bonello, Damien Manivel et Anne Sofie Hartmann, entre autres cinéastes intéressants et téméraires

San Sebastian complète la sélection de sa surprenante section Zabaltegi-Tabakalera
Zombi Child de Bertrand Bonello

Cet article est disponible en anglais.

A total of 14 titles will be competing for the Zabaltegi-Tabakalera Award at the fast-approaching 67th edition of the San Sebastián International Film Festival, which will unspool from 20-28 September 2019. Standing out among the carefully curated selection, which favours risk-taking, courageousness and cutting-edge filmmaking, are three European directors: the ever-controversial – but just as revered – French helmer Bertrand Bonello will bring along Zombi Child [+lire aussi :
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interview : Bertrand Bonello
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]
, a film that previously took part in the Directors’ Fortnight at the most recent Cannes Film Festival; Damien Manivel will enable audiences in the Basque city to enjoy Isadora’s Children [+lire aussi :
critique
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interview : Damien Manivel
fiche film
]
(France/South Korea), which was presented at Locarno recently; and Anne Sofie Hartmann cannot fail to move audiences with Giraffe [+lire aussi :
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, a co-production between Germany and Denmark.

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Hailing from France, a country that will enjoy a particularly strong presence at the gathering, the documentary Our Defeats [+lire aussi :
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by Jean-Gabriel Périot, which took part in the 2019 Berlinale Forum, will also be locking horns in the Zabaltegi-Tabakalera section; this also goes for the documentary Delphine and Carole [+lire aussi :
critique
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interview : Callisto Mc Nulty
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]
by Callisto McNulty (co-produced with Switzerland), Atlantics [+lire aussi :
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interview : Mati Diop
fiche film
]
by Mati Diop (also backed by Senegal and Belgium – the winner of the Grand Prix at the most recent Cannes Film Festival), The Wild Goose Lake [+lire aussi :
critique
bande-annonce
interview : Diao Yinan
fiche film
]
by Diao Yinan (China/France – which was also vying for the Palme d’Or back in May), and Play [+lire aussi :
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]
by Anthony Marciano (his third feature, following The Brats [+lire aussi :
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and Robin Hood, The True Story [+lire aussi :
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]
). Meanwhile, Switzerland’s Bird Island [+lire aussi :
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interview : Maya Kosa et Sérgio da Costa
fiche film
]
by Maya Kosa and Sergio da Costa will get an airing at San Sebastián after it was screened at the most recent Locarno Film Festival.

Other features with European involvement selected for Zabaltegi-Tabakalera 2019 are the co-productions I Was at Home, but… [+lire aussi :
critique
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interview : Angela Schanelec
fiche film
]
, a drama helmed by German actress-director Angela Schanelec (Germany/Serbia), which competed at Berlin earlier this year; the documentary short Blue Boy (Germany/Argentina) by Manuel Abramovich, who served as the DoP on Theatre of War [+lire aussi :
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by Lola Arias, which was showcased in this very same section one year ago; and First Love [+lire aussi :
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by Takashi Miike (Japan/UK), which was world-premiered in the most recent Cannes Directors’ Fortnight.

And finally, the section’s remaining contenders come from North and South America: namely, Ghost Town Anthology by Denis Côté (Canada), the documentary Ficción privada by Andrés di Tella (Argentina) and the short film Shakti by the ever-fascinating Buenos Aires-born filmmaker Martín Rejtman (Argentina/Chile), who is a regular at European film festivals, such as Locarno (Two Gun Shots [+lire aussi :
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).

Here are the new additions, as well as the films already announced, to the Zabaltegi-Tabakalera section at San Sebastián 2019:

Zabaltegi-Tabakalera

Atlantics [+lire aussi :
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interview : Mati Diop
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]
- Mati Diop (France/Senegal/Belgium)
Blue Boy - Manuel Abramovich (Germany/Argentina) (short film)
Delphine and Carole [+lire aussi :
critique
bande-annonce
interview : Callisto Mc Nulty
fiche film
]
- Calisto McNulty (France/Switzerland)
The Prosecutor, the President and the Spy - Justin Webster (Spain/Germany) (TV series)
Ficción privada - Andrés di Tella (Argentina)
Giraffe [+lire aussi :
critique
bande-annonce
fiche film
]
- Anne Sofie Hartmann (Germany/Denmark)
First Love [+lire aussi :
critique
bande-annonce
fiche film
]
- Takashi Miike (Japan/UK)
I Was at Home, but…
 [+lire aussi :
critique
bande-annonce
interview : Angela Schanelec
fiche film
]
- Angela Schanelec (Germany/Serbia)
Bird Island [+lire aussi :
critique
bande-annonce
interview : Maya Kosa et Sérgio da Costa
fiche film
]
- Maya Kosa, Sergio da Costa (Switzerland)
Isadora’s Children [+lire aussi :
critique
bande-annonce
interview : Damien Manivel
fiche film
]
- Damien Manivel (France/South Korea)
The Golden Legend - Ion de Sosa, Chema García Ibarra (Spain) (short film)
Lursaguak - Izibene Oñederra (Spain) (short film)
The Wild Goose Lake [+lire aussi :
critique
bande-annonce
interview : Diao Yinan
fiche film
]
- Diao Yinan (China/France)
Nimic - Yorgos Lanthimos (Germany/UK/US) (short film)
Our Defeats [+lire aussi :
critique
bande-annonce
fiche film
]
- Jean-Gabriel Périot (France)
Play [+lire aussi :
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fiche film
]
Anthony Marciano (France)
Ghost Town Anthology - Denis Côté (Canada)
Shakti - Martín Rejtman (Argentina/Chile) (short film)
Urpean Lurra - Maddi Barber (Spain) (medium-length film)
Zombi Child [+lire aussi :
critique
bande-annonce
interview : Bertrand Bonello
fiche film
]
- Bertrand Bonello (France)

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(Traduit de l'espagnol)

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