Aiming to lend greater visibility to European productions filmed in non-hegemonic languages (ie, those that are not filmed in German, Spanish, French, English, Italian or Russian), last year the San Sebastián Film Festival launched the Glocal in Progress industry activity. After a Basque film, Dantza [+lire aussi :
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Invisible, which was crowned with the Glocal in Progress Award (which comes with €10,000 for the majority producer of the film and its entire post-production), is being directed by Lithuania’s Ignas Jonynas, whose first feature, The Gambler [+lire aussi :
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Another movie that was part of the selection, A Simple Man, helmed by Greek first-timer Tassos Gerakinis, tells the story of a convict who, while trying to escape, forces a peace-loving wine producer to hide him in his house – but the wine producer’s daughter ends up falling in love with him. The film is a co-production between Greece (Bad Crowd and Faliro House Productions) and France (Arizona Productions), and it rocked up at the festival in search of support for the post-production stage, a sales agent and perhaps another producing country.

The final movie selected, Queen Lear [+lire aussi :
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This year, the festival placed a particular emphasis on this specific topic during its industry activities, and the agenda included a conference on diversity in European cinema as a market value, which saw the participation of representatives of organisations such as the Lithuanian Film Centre, the Estonian Film Institute, the National Film Centre of Latvia, Ffilm Cymru Wales and the Basque Government. In addition, the Baltic countries (Estonia, Latvia and Lithuania), whose languages are indeed non-hegemonic, enjoyed this year’s “Focus on”, which the festival dedicates to a specific territory at each edition.