Erlend Eirik Mo’s Journey to Utopia [+lire aussi :
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Journey to Utopia (just one of several films bearing the Thomas More-inspired name at CPH:DOX this year; others have been Dane Phie Ambo’s Utopia and German directors Jana Magdalena Keuchel and Katharina Knust’s Last Year in Utopia [+lire aussi :
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The film was taking part alongside 25 other new projects, among them The Missing Films, an intimate portrait of Lars von Trier directed by two of his long-time collaborators, Tomas Gislason and Jacob Thuesen. This highly anticipated project is slated for a 2019 premiere. 

Journey to Utopia, chosen thanks to its artistic quality as well as its likelihood of becoming and remaining a co-production involving at least two Eurimages member countries, was chosen by a jury consisting of Tobias Pausinger, Eurimages board member; Marit Van Den Elshout, head of IFFR Pro; and Vibeke Vogel, managing director and founder of Bullitt Film.

This is the fifth Eurimages Award at CPH:DOX since its introduction in 2013. The previous recipients have been Psychosis in Stockholm by Maria Bäck (Sweden, awarded in 2017), The Golden Dawn Case by Håvard Bustnes (Norway, 2015), On Screen Off Record by Rami Farah and Lyana Saleh (Denmark, 2014) and Aquarela by Victor Kossakovsky (UK, 2013).

Click here for details of the full industry programme. The CPH:INDUSTRY screening market, CPH:MARKET, was open to professionals during the entire festival (15-25 March).