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FIDMARSEILLE 2022 FIDLab

FIDLab exhibe doce proyectos

por 

- La nueva película en posproducción del rumano Cristi Puiu destaca entre las 12 seleccionadas por la plataforma de coproducción que se celebrará los días 7 y 8 de julio en FIDMarseille

FIDLab exhibe doce proyectos
El director Cristi Puiu, que participa en FIDLab con MMXX

Este artículo está disponible en inglés.

Four titles in the writing phase, five in development, one film in production and two in post-production: 12 projects hailing from 15 countries are on the agenda of the 14th FIDLab event, the international co-production platform organised within the Marseille International Film Festival – FIDMarseille (whose 33rd edition will open tomorrow, 5 July – read our article).

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On 7 and 8 July, FidLab (which very recently hosted A Night of Knowing Nothing [+lee también:
crítica
entrevista: Payal Kapadia
ficha de la película
]
by Payal Kapadia, Unrest [+lee también:
crítica
tráiler
entrevista: Cyril Schäublin
ficha de la película
]
by Cyril Schäublin, Atlantide [+lee también:
crítica
tráiler
entrevista: Yuri Ancarani
entrevista: Yuri Ancarani y Marco Alessi
ficha de la película
]
by Yuri Ancarani and Afterwater [+lee también:
crítica
tráiler
ficha de la película
]
by Dane Komljen) will be shining an especially bright light on MMXX, Romanian director Cristi Puiu’s 6th feature film after Malmkrog [+lee también:
crítica
tráiler
entrevista: Cristi Puiu
ficha de la película
]
(which scooped the Best Director Award in the Berlinale’s 2020 Encounters competition), Sieranevada [+lee también:
crítica
tráiler
Q&A: Cristi Puiu
ficha de la película
]
(in competition in Cannes 2016), Aurora [+lee también:
crítica
tráiler
entrevista: Clara Voda
ficha de la película
]
(Cannes’ Un Certain Regard section in 2010), The Death of Mr Lazarescu [+lee también:
tráiler
ficha de la película
]
(awarded the Un Certain Regard Prize in Cannes 2005) and Stuff and Dough (Directors’ Fortnight 2001).

Currently in post-production, the film (steered by Mandragora alongside 2DB Films Studio) intertwines four brief moments in time capturing the erring ways of a group of lost souls standing at a crossroads in history: Oana Pfifer, a young therapist who’s visibly distracted, for reasons unknown, finds herself progressively caught in the trap of the questionnaire she’s supposed to give to her patient; Mihai Dumitru, Oana’s younger brother, who’s busy with preparations for his birthday and unaware that his demands are inappropriate, gets caught up in events which are far bigger than he is; Septimiu Pfifer, Oana’s husband, who’s worried he might have caught Covid-19, listens vaguely to the strange business his paramedic colleague got mixed up in a long time ago, as they wait for the next call for help; and Narcis Patranescu, an inspector specialising in organised crime, who’s unsettled by the recent death of a colleague, finds himself faced with a sombre and troubling story while questioning a young woman during a funeral…

Three prizes are set to be handed out at the close of FIDLab, courtesy of a jury including Bruno Deloye (Ciné+), international sales agent Virginie Devesa (Alpha Violet) and producer Tania El Khoury (Les Films de L’Altaï – Khamsin Films).

The 2022 FIDLab selection is as follows:

All the Renaults in the World - Declan Clarke (Ireland)
In development

The Seasons - Maureen Fazendeiro (Portugal/France)
In production

Echo - Joshua Bonnetta (Canada)
In development

Fleur de bambou - Kiyé Simon Luang (Laos/France)

In the writing phase

Following the Sound - Kyoshi Sugita (Japan)
In the writing phase

I Look Like My Mother - Amina Maher (Iran
/Germany)
In development

MMXX - Cristi Puiu (Romania)
In post-production

Neverland - Isabel Pagliai (France)

In development

Presidente - Jazmín López (Argentina)
In the writing phase

Se van sus naves - Óscar Vincentelli (Venezuela/Spain)
In development

The Christmas Card - Lucy Kerr (USA)
In post-production

The Night Came About - Mira Adoumier (Lebanon/Holland)
In the writing phase

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(Traducción del francés)

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