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334 articles available in total starting from 21/10/2003. Last article published on 29/03/2024.

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Lukas Kacinauskas • Director of I Was Max

Interview: Lukas Kacinauskas • Director of I Was Max

"Cinematic is what’s real, engaging and meaningful"

After some success on the festival circuit with his movie, we talk to the Lithuanian director as he travels with the film to EFP’s Future Frames  

05/07/2022 | Future Frames 2022

Review: Vesper

Review: Vesper

After 2012’s Vanishing Waves, Lithuanian director Kristina Buožytė and French helmer Bruno Samper return with an impressive dystopian sci-fi film  

04/07/2022 | Karlovy Vary 2022 | Competition

Ahead of its Karlovy Vary premiere, Kristina Buožytė and Bruno Samper disclose more details about Vesper

Ahead of its Karlovy Vary premiere, Kristina Buožytė and Bruno Samper disclose more details about Vesper

The French-Lithuanian sci-fi drama is set after the collapse of the Earth’s ecosystem and follows Vesper, a 13-year-old girl struggling to survive with her paralysed father  

27/06/2022 | Production | Funding | France/Belgium/Lithuania

Review: January

Review: January

Love and coming of age are interrupted by harsh reality in Viesturs Kairišs’ evocative period piece, which has just won Best International Narrative Feature at Tribeca  

17/06/2022 | Tribeca 2022

Vytautas Katkus • Director of The Visitor

Interview: Vytautas Katkus • Director of The Visitor

"The Next Step Workshop helped me from a very early development stage to understand in which direction I should go with my movie"

CANNES 2022: The Lithuanian filmmaker discusses his feature film project, for which he received the Next Step Award from the Critics' Week, as well as his short film Cherries  

03/06/2022 | Cannes 2022 | Critics' Week

EXCLUSIVE: Trailer for Tribeca title January

EXCLUSIVE: Trailer for Tribeca title January

Viesturs Kairišs's Latvian-Lithuanian-Polish film centres on a 19-year-old cinematographer and his friends, who are dragged into the political events unfolding in the early post-Soviet years  

02/06/2022 | Tribeca 2022

Review: The Natural History of Destruction

Review: The Natural History of Destruction

CANNES 2022: For his latest archive-derived doc, Sergei Loznitsa focuses his attention on the Allied bombing campaigns on German cities during World War II  

31/05/2022 | Cannes 2022 | Special Screenings

Review: Mariupolis 2

Review: Mariupolis 2

CANNES 2022: Mantas Kvedaravičius died in Mariupol, but the footage he filmed has been salvaged and has now been presented at Cannes as a new feature-length documentary  

20/05/2022 | Cannes 2022 | Special Screenings

Review: Burial

Review: Burial

Lithuanian director Emilija Škarnulytė's immersive, highly technological documentary deals with nuclear waste in juxtaposition with what humanity has already buried throughout the millennia  

03/05/2022 | Hot Docs 2022

Viesturs Kairišs’ latest effort, January, to premiere at Tribeca in June

Viesturs Kairišs’ latest effort, January, to premiere at Tribeca in June

The new coming-of-age film follows a 19-year-old cinematographer and his friends, who are dragged into the political events unfolding in the early post-Soviet years  

28/04/2022 | Production | Funding | Latvia/Lithuania/Poland

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