Black Nights 2020 (The article continues below - Commercial information) 72 articles available in total starting from 04/11/2019. Last article published on 01/12/2020. previous page: 1 2 3 4 5 [6] 7 8 next Review: Poppy FieldEugen Jebeleanu’s LGBTQ+ drama explores the challenges in the life of a gay policeman 17/11/2020 | Black Nights 2020 | First Feature CompetitionReview: The Last OnesVeiko Õunpuu’s new film, Estonia’s submission for the 2021 Oscars, is a modern Lapland-set western rich in testosterone where capitalism clashes with ecology, dreams with reality 16/11/2020 | Black Nights 2020 | Baltic Film CompetitionTallinn's digital Baltic Event announces its selectionA total of nineteen projects will be showcased at the Baltic Event Co-Production Market, which will be held online this year 09/11/2020 | Black Nights 2020 | Industry@Tallinn & Baltic EventIndustry@Tallinn & Baltic Event reveals its Works in Progress projects18 films in production or post-production will be presented at the online Industry@Tallinn & Baltic Event Works in Progress sessions in November 30/10/2020 | Black Nights 2020 | Industry@Tallinn & Baltic EventThe Official Selection of the Tallinn Black Nights Film Festival is now completeMika Kaurismäki, Dalibor Matanić and veteran director Peeter Simm will compete for Tallinn's main awards during the festival's hybrid 24th edition 23/10/2020 | Black Nights 2020 | CompetitionReview: FortunaBased on a sinister real-life story, Nicolangelo Gelormini constructs his feature debut as a kind of cubist and surreal horror film, seen from a child’s point of view 20/10/2020 | Rome 2020Review: Why Not YouIn her Zurich-winning debut feature, Evi Romen talks about a maniac, maniac on the floor, in South Tyrol 16/10/2020 | Zurich 2020Tallinn Black Nights announces its First Feature Competition line-upFor this particular competition of its upcoming, hybrid edition, the Estonian festival has selected 18 films, ten of which are world premieres 16/10/2020 | Black Nights 2020 | First Feature CompetitionReview: BabyJuanma Bajo Ulloa continues to prove that he is clearly not an accommodating filmmaker with this daring, macabre tale completely devoid of dialogue, which you will either love to bits or detest 15/10/2020 | Sitges 2020Review: The JumpGiedrė Žickytė’s documentary centres on the moving story of the Kudirka incident, known for several years as the US Coast Guard’s “Day of Shame” 12/10/2020 | Warsaw 2020 previous page: 1 2 3 4 5 [6] 7 8 next (The article continues below - Commercial information)