Turkey (The article continues below - Commercial information) 201 articles available in total starting from 24/02/2003. Last article published on 04/03/2024. previous page: 1 2 3 4 [5] 6 7 8 ... 19 20 21 next Interview: Emin Alper • Director of Burning Days"This film is completely about a society which is dominated by men and their inner conflict"CANNES 2022: The Turkish filmmaker discusses gender and social status (and the disadvantages that come from them) to give us the lowdown on his latest film 31/05/2022 | Cannes 2022 | Un Certain RegardInterview: Ruben Östlund • Director of Triangle of Sadness"My film is inspired in the Marxist theories saying that our position in financial hierarchy is changing our behavior"CANNES 2022: The Swedish filmmaker returns after his Palme d'Or win in 2017 to introduce his new film, and he discusses its key topics with us 27/05/2022 | Cannes 2022 | CompetitionReview: Burning DaysCANNES 2022: In Emin Alper’s simmering drama, a naïve small-town prosecutor is blindsided by the corruption of his locale 26/05/2022 | Cannes 2022 | Un Certain RegardReview: Triangle of SadnessCANNES 2022: Östlund helms a diabolically mischievous “Rubensonade” among the rich and the filthy 22/05/2022 | Cannes 2022 | CompetitionInterview: Kerem Ayan • Istanbul Film Festival“Succesful Film Festival starts from the the programming”Kerem Ayan, Deputy Director at Instanbul Film Festival, is currently in Cannes watching about 6 films per day 19/05/2022 | Euro Film FestNehir Tuna’s feature debut, Dormitory, enters post-productionThe Turkish writer-director’s coming-of-age tale takes place in a religious dormitory during the highly polarised period of the late 1990s 28/04/2022 | Production | Funding | Turkey/Germany/FranceInterview: Ruben Östlund • Director of Triangle of Sadness“I’ll be a much better father now than I would have been, had I not been entered in the main competition at Cannes this year”The 2017 Palme d’Or winner shares a few choice titbits of information about his new film, freshly selected for Cannes 15/04/2022 | Cannes 2022 | CompetitionInterview: Michael Borodin • Director of Convenience Store"My film is a conversation about a modern slavery that doesn’t usually appear in either Uzbek or Russian movies"BERLINALE 2022: The Uzbek director talks about his first film, based on the true case of the so-called “Golyanovo slaves” which came to light in 2016 23/02/2022 | Berlinale 2022 | PanoramaInterview: Maryna Er Gorbach • Director of Klondike"In the crisis in Ukraine, which is now in the news again, my film brings the viewer to the 'backstage' of the news"BERLINALE 2022: The director discusses her story of a Ukrainian family living on the border of Russia and Ukraine during the start of the war 21/02/2022 | Berlinale 2022 | PanoramaReview: Convenience StoreBERLINALE 2022: Uzbek director Michael Borodin's brutally bleak and hopeless first feature about modern slavery in Russia showcases him as a master of his craft 14/02/2022 | Berlinale 2022 | Panorama previous page: 1 2 3 4 [5] 6 7 8 ... 19 20 21 next (The article continues below - Commercial information)