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Cannes 2022 / Directors’ Fortnight

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41 articles available in total starting from 09/02/2022. Last article published on 27/06/2022.

Mark Jenkin  • Director of Enys Men

Interview: Mark Jenkin • Director of Enys Men

“My feeling is that the past, present and future all exist at the same time”

CANNES 2022: Cineuropa met up with the Cornish director to talk about the influences and superstitions that fed into his new film – plus red jackets  

30/05/2022 | Cannes 2022 | Directors’ Fortnight

Fabián Hernández  • Director of A Male

Interview: Fabián Hernández • Director of A Male

“Compared to other Colombian films, I think my approach is deeper and more respectful of the people and the neighbourhood”

CANNES 2022: The Colombian director’s coming-of-age drama shows that what makes a real man are his core values  

30/05/2022 | Cannes 2022 | Directors’ Fortnight

Review: The Dam

Review: The Dam

CANNES 2022: Ali Cherri has crafted a bold, esoteric and aesthetically pleasing work set in a remote area of northern Sudan at the time of the 2019 military coup in the country  

27/05/2022 | Cannes 2022 | Directors’ Fortnight

One Fine Morning crowned with the Europa Cinemas Label at Cannes

One Fine Morning crowned with the Europa Cinemas Label at Cannes

CANNES 2022: French director Mia Hansen-Løve’s movie has been deemed the best European film in the Directors’ Fortnight, while Thomas Salvador’s The Mountain has taken home the SACD Award  

27/05/2022 | Cannes 2022 | Directors’ Fortnight/Awards

Alice Winocour • Director of Paris Memories

Interview: Alice Winocour • Director of Paris Memories

"People stopped again and again and asked if something had happened, so we had to put up signs saying ‘This is a film shoot’"

CANNES 2022: Inspired by the 2015 Paris terrorist attacks, the French filmmaker showcases a very personal take on events  

26/05/2022 | Cannes 2022 | Directors’ Fortnight

Review: The Green Perfume

Review: The Green Perfume

CANNES 2022: Nicolas Pariser tries his hand at a spy comedy in the playful spirit of a comic book, but this perfect replica slides into autopilot once its initial pace has peaked  

26/05/2022 | Cannes 2022 | Directors’ Fortnight

Annie Ernaux and David Ernaux-Briot • Directors of The Super-8 Years

Interview: Annie Ernaux and David Ernaux-Briot • Directors of The Super-8 Years

“When I wrote the text for the film, I wrote it with the image”

CANNES 2022: We met up with the famous French author and her son to discuss their documentary and its different levels of reading  

26/05/2022 | Cannes 2022 | Directors’ Fortnight

Elena López Riera • Director of El agua

Interview: Elena López Riera • Director of El agua

“In every society, people need some kind of magic”

CANNES 2022: We sat down with the Spanish director to chat about her feature debut, with childhood tales still ringing in her ears  

26/05/2022 | Cannes 2022 | Directors’ Fortnight

Review: The Mountain

Review: The Mountain

CANNES 2022: The highly original Thomas Salvador delivers a more than astonishing work on the journey to the paranormal of man who turns his back to society to recharge in the mountains  

25/05/2022 | Cannes 2022 | Directors’ Fortnight

Pietro Marcello • Director of Scarlet

Interview: Pietro Marcello • Director of Scarlet

"For me cinema is a family"

CANNES 2022: The Italian director discusses the cast and the challenges of making his first French-language film, as well as the topics it tackles, such as gender  

25/05/2022 | Cannes 2022 | Directors' Fortnight

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