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Venice 2019 / Orizzonti

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22 articles available in total starting from 25/07/2019. Last article published on 10/09/2019.

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Peter Mackie Burns  • Director of Rialto

Interview: Peter Mackie Burns • Director of Rialto

“This man is brought through grief to a place where he doesn't know himself any more”

VENICE 2019: Peter Mackie Burns chatted to Cineuropa about his Orizzonti film Rialto, which has nothing to do with the bridge in Venice  

10/09/2019 | Venice 2019 | Orizzonti

Review: Rialto

Review: Rialto

VENICE 2019: Peter Mackie Burns’ grubby film about mid-life crisis gives pause for thought  

10/09/2019 | Venice 2019 | Orizzonti

Review: Zumiriki

Review: Zumiriki

VENICE 2019: Oskar Alegría’s second feature film is a cinematographic poem on human attempts to prevent the deterioration of memory  

10/09/2019 | Venice 2019 | Orizzonti

Antoine de Bary  • Director of My Days of Glory

Interview: Antoine de Bary • Director of My Days of Glory

“If you don't get along with Adrian, you’ll leave the room after half an hour”

VENICE 2019: Cineuropa sat down with French director Antoine de Bary to talk about his debut feature, My Days of Glory, which premiered in Orizzonti and stars Vincent Lacoste  

09/09/2019 | Venice 2019 | Orizzonti

Valentyn Vasyanovych  • Director of Atlantis

Interview: Valentyn Vasyanovych • Director of Atlantis

“In Ukraine, you have to be an optimist”

VENICE 2019: With the help of producer Vladimir Yatsenko, this time providing interpretation, Cineuropa chatted to Valentyn Vasyanovych about Atlantis, named Best Film in this year’s Orizzonti  

09/09/2019 | Venice 2019 | Orizzonti

Review: My Days of Glory

Review: My Days of Glory

VENICE 2019: The debut film by Antoine de Bary is a charming, but slight, episodic tale that lampoons Vincent Lacoste’s man-child  

07/09/2019 | Venice 2019 | Orizzonti

Joker scoops the Golden Lion at Venice

Joker scoops the Golden Lion at Venice

VENICE 2019: Todd Phillips' film has bewitched the jury; the Silver Lion went to Polanski and Best Director to Roy Andersson. The Special Jury Prize was for La mafia non è più quella di una volta  

07/09/2019 | Venice 2019 | Competition/Orizzonti/Awards

Rodrigo Sorogoyen  • Director of Madre

Interview: Rodrigo Sorogoyen • Director of Madre

“As soon as you see a woman in her forties and a young boy, there’s something that doesn't work”

VENICE 2019: Cineuropa chatted with Spanish helmer Rodrigo Sorogoyen about his feature Madre, playing in the Orizzonti section  

06/09/2019 | Venice 2019 | Orizzonti

Review: Moffie

Review: Moffie

VENICE 2019: Young homosexuals persecuted by the South African army in the 1980s are at the heart of Oliver Hermanus’ fourth film  

06/09/2019 | Venice 2019 | Orizzonti

Review: The Criminal Man

Review: The Criminal Man

VENICE 2019: The second feature by Georgian director Dmitry Mamuliya is a superb psychological thriller about the genesis of evil in the mind of a serial killer  

05/09/2019 | Venice 2019 | Orizzonti

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