Berlinale 2018 / Panorama (The article continues below - Commercial information) 21 articles available in total starting from 15/12/2017. Last article published on 01/03/2018. page: [1] 2 3 next Interview: Tinatin Kajrishvili • DirectorInterviewWe met up with Georgian director Tinatin Kajrishvili to discuss her latest film, Horizon 01/03/2018 | Berlinale 2018 | Panorama Review: StyxBERLIN 2018: Wolfgang Fischer creates a claustrophobic atmosphere in open waters, where some sail freely and others drown 28/02/2018 | Berlinale 2018 | Panorama Review: JibrilBERLIN 2018: Henrika Kull's first feature film is the story of a romance that develops while one of the characters is in prison 28/02/2018 | Berlinale 2018 | PanoramaReview: Boys CryBERLIN 2018: Damiano and Fabio D’Innocenzo make their cinema debut with a movie that’s as dark and tortured as a film noir, exploring the criminal education and the friendship of two young men 26/02/2018 | Berlinale 2018 | Panorama Interview: Marysia Nikitiuk • Director“The main idea was to combine the three worlds in a natural way”BERLIN 2018: Ukrainian director Marysia Nikitiuk discusses her first film, When the Trees Fall, and how magical realism can bring hope 23/02/2018 | Berlinale 2018 | PanoramaReview: When the Trees FallBERLIN 2018: Marysia Nikitiuk’s first film is intense and full of vitality, just like the life of a teenager 23/02/2018 | Berlinale 2018 | Panorama Review: GenesisBERLIN 2018: Árpád Bogdán's new feature is a bold and striking film that immerses the viewer but struggles with the clarity of certain parts of its narrative 21/02/2018 | Berlinale 2018 | Panorama Interview: Ramón Salazar • Director“We tried not to make it give way to tear-jerking melodrama”BERLIN 2018: Ramón Salazar is back at the Berlinale with his fourth film, Sunday’s Illness, an intimate drama starring the incredible Susi Sánchez and Bárbara Lennie 21/02/2018 | Berlinale 2018 | Panorama - Tribeca 2018Review: YardieBERLIN 2018: The Wire star Idris Elba adapts Victor Headley’s cult novel for the big screen, showing promise that he’ll be as good behind the camera as he is in front of it 21/02/2018 | Berlinale 2018 | PanoramaReview: L'AnimaleBERLIN 2018: Katharina Mückstein’s second feature tackles the conflicts between who we are, how we want to be perceived, and how to free ourselves from social conventions 21/02/2018 | Berlinale 2018 | Panorama page: [1] 2 3 next (The article continues below - Commercial information)