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Review: Upon Entry (2022)

Review: Challengers (2024)

Review: Dying (2024)

Review: There Is Still Tomorrow (2023)

Review: Monster on a Plane (2024)

Review: First Case (2023)

Review: Hammarskjöld (2023)

Review: Through the Night (2023)

Review: City of Wind (2023)

Review: Explanation for Everything (2023)

Review: The Dead Don’t Hurt (2023)

Upon Entry (2022)

Challengers (2024)

Dying (2024)

There Is Still Tomorrow (2023)

Monster on a Plane (2024)

First Case (2023)

Hammarskjöld (2023)

Through the Night (2023)

City of Wind (2023)

Explanation for Everything (2023)

The Dead Don’t Hurt (2023)

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Trailers/Teasers/Clips

The Second Act - by Quentin Dupieux

The Second Act
by Quentin Dupieux
Cannes 2024 - Opening

Explanation for Everything - by Gábor Reisz

Explanation for Everything
by Gábor Reisz
Venice 2023 - Orizzonti Award for Best Film
Italian release May 1

Just the Two of Us - by Valérie Donzelli

Just the Two of Us
by Valérie Donzelli
Cannes 2023 - Cannes Première
Italian release May 1

Upon Entry - by Alejandro Rojas, Juan Sebastián Vásquez

Upon Entry
by Alejandro Rojas, Juan Sebastián Vásquez
French release May 1

Cineuropa

Interviews

Lorena Morín • Director, MECAS

Lorena Morín • Director, MECAS

The director discusses the Las Palmas-based industry gathering’s efforts to support fragile, auteur-driven projects from Europe and Latin America

Daniele Luchetti • Director of Trust

Daniele Luchetti • Director of Trust

The Italian director chatted with us about his new movie, which sees him tackling thriller codes for the very first time and revolves around a man trying to run away from his weaknesses

Salvador Simó • Director of Dragonkeeper

Salvador Simó • Director of Dragonkeeper

The Spanish co-director of the animated family flick, based on Carole Wilkinson’s book of the same name, and which he took on as a commission, breaks down its technical and artistic aspects

Julien Rejl • General delegate, Directors’ Fortnight

Julien Rejl • General delegate, Directors’ Fortnight

The general delegate of the Directors’ Fortnight in Cannes discusses the 2024 selection and sheds light on the debate regarding its editorial line

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