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6948 film reviews available in total starting from 04/09/2002. Last updated on 07/05/2024. 746 film reviews inserted in the last 12 months.
LATEST
Damned Summer by Pedro Cabeleira
07/08/2017
LOCARNO 2017: The first feature-length film by young Portuguese director Pedro Cabeleira is a strong and mysterious homage to youth
Meteors by Gürcan Keltek
LOCARNO 2017: Turkish documentarist Gürcan Keltek makes a political statement with his observation of one of the largest militant actions to take place against the citizens of his own country
Favela Olímpica by Samuel Chalard
LOCARNO 2017: Swiss director Samuel Chalard’s film, presented at the International Critic's Week, invites us to discover a reality that has remained hidden in the shadows
Let the Corpses Tan by Hélène Cattet, Bruno Forzani
LOCARNO 2017: Hélène Cattet and Bruno Forzani return with a highly psychedelic and hallucinatory film about cops and corrosive thuggery
A Skin So Soft by Denis Côté
04/08/2017
LOCARNO 2017: The latest feature by Denis Côté is being presented in the international competition at Locarno, taking us on an intimate journey with some modern-day gladiators
Lola Pater by Nadir Moknèche
LOCARNO 2017: A touching and insightful film by Nadir Moknèche about family life, roots and identity, with the exceptional Fanny Ardant as the transsexual Lola
Freedom by Jan Speckenbach
03/08/2017
LOCARNO 2017: German filmmaker Jan Speckenbach explores the limits of freedom and the desires behind the pursuit of it in the unsatisfactory social environment of a lost generation
Welcome to Switzerland by Sabine Gisiger
LOCARNO 2017: Following her documentary Yalom's Cure, Sabine Gisiger returns to Locarno with her latest effort, Welcome to Switzerland, a journey between the walls of an impenetrable nation
Tomorrow and Thereafter by Noémie Lvovsky
LOCARNO 2017: World-premiered in the awe-inspiring Piazza Grande, Noémie Lvovsky’s Tomorrow and Thereafter warms the most difficult-to-reach parts of our hearts
Winter Brothers by Hlynur Pálmason
LOCARNO 2017: Icelandic filmmaker Hlynur Pálmason delivers a solid cinematographic debut that is both visually and narratively remarkable
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