Film Reviews

7023 film reviews available in total starting from 04/09/2002. Last updated on 24/05/2024. 753 film reviews inserted in the last 12 months.

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The Wild Pear Tree by Nuri Bilge Ceylan

CANNES 2018: Nuri Bilge Ceylan delivers an episodic tale of a young man’s struggles to become a published author

Ahlat Agaci

Ahlat Agaci

Knife + Heart by Yann Gonzalez

CANNES 2018: Shot in his super-original style, Yann Gonzalez’s film is a very sophisticated reinterpretation of the traditional giallo genre, travelling behind the scenes of gay porn cinema

Un couteau dans le coeur

Un couteau dans le coeur

In My Room by Ulrich Köhler

CANNES 2018: Ulrich Köhler’s film is a post-apocalyptic romantic drama that holds the viewer’s interest without resorting to killer viruses or zombies

In My Room

In My Room

The Man Who Killed Don Quixote by Terry Gilliam

CANNES 2018: Terry Gilliam’s eagerly awaited take on the universe of the most famous of Miguel de Cervantes’ novels is shot through with his outrageous hallmarks

The Man Who Killed Don Quixote

The Man Who Killed Don Quixote

Whitney by Kevin Macdonald

CANNES 2018: Kevin Macdonald highlights sexual abuse allegations in his documentary on singer Whitney Houston, showing as a Midnight Screening

Whitney

Whitney

Lucia's Grace by Gianni Zanasi

CANNES 2018: Gianni Zanasi's ecologically minded comedy sees Alba Rohrwacher cast as a surveyor who is visited by the Madonna and tries to stop a real-estate investment

Troppa grazia

Troppa grazia

The Gentle Indifference of the World by Adilkhan Yerzhanov

CANNES 2018: Kazakh filmmaker Adilkhan Yerzhanov presents a poetic-realist film exploring love in the absence of freedom, and co-produced by France

The Gentle Indifference of the World

The Gentle Indifference of the World

Dogman by Matteo Garrone

CANNES 2018: Inspired by a suburban crime story, Matteo Garrone's new film focuses on the marginalised, with a very clear sentiment

Dogman

Dogman

Carmen & Lola by Arantxa Echevarria

CANNES 2018: Arantxa Echevarría’s film oozes originality and authenticity, and strives to ensure that last remaining right: passionate love between Gypsy women

Carmen y Lola

Carmen y Lola

To the Four Winds by Michel Toesca

CANNES 2018: Michel Toesca puts his name to a compassionate and very human documentary, painting a portrait of a man who is the ultimate symbol of solidarity with migrants

Libre

Libre

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Cineuropa - the best of european cinema

Cineuropa - the best of european cinema