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6940 film reviews available in total starting from 04/09/2002. Last updated on 29/04/2024. 752 film reviews inserted in the last 12 months.
LATEST
Litigante by Franco Lolli
16/05/2019
CANNES 2019: Franco Lolli’s Critics’ Week opener is a sensitive work which follows in the footsteps of a female character who must contend with an accumulation of gruelling circumstances
Deerskin by Quentin Dupieux
15/05/2019
CANNES 2019: Quentin Dupieux delivers a brilliantly refined film, between an absurdist comedy and a realistic drama about madness, with Jean Dujardin and Adèle Haenel excellent in the lead roles
The Unknown Saint by Alaa Eddine Aljem
CANNES 2019: In methodically exploring the precise mechanisms of the burlesque fable, Moroccan filmmaker Alaa Eddine Aljem draws a social portrait evocative of his country
For Sama by Waad Al Khateab, Edward Watts
CANNES 2019: Waad Al-Kateab and Edward Watts’ documentary about Syria arrives in Cannes on the back of festival wins at SXSW and Hot Docs
The Dead Don't Die by Jim Jarmusch
CANNES 2019: Jim Jarmusch’s opening film, produced with the help of Sweden’s Film i Väst, properly introduces the concept of coffee zombies to the world. And the world is grateful
Run by Scott Graham
09/05/2019
Scottish filmmaker Scott Graham's third feature is a story about parents watching children repeat their mistakes, and the conflict between adolescent freedom and adult responsibilities
Acid by Alexander Gorchilin
07/05/2019
Young Russian actor Alexander Gorchilin's directorial debut is an accomplished and somewhat freewheeling look at a particular segment of today's Russian youth
Rosa by Katja Colja
03/05/2019
A couple in their sixties struggling to cope with a grave loss and a woman who finds new life through sex are at the heart of Katja Colja’s debut film, screened at Bari's Bif&st
Irene's Ghost by Iain Cunningham
02/05/2019
Mixing animation with documentary, director Iain Cunningham searches for answers about his biological mother
Little White Lies 2 by Guillaume Canet
30/04/2019
With his sequel to Little White Lies, Guillaume Canet puts his name to a film which works well from a comedic point of view, though its dramatic intentions don’t quite hit the mark
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