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KARAMAN

by Tamer Yiğit, Branka Prlić

synopsis

One family, two battlefronts. Zehra, a young foreign-language secretary, travels out of Istanbul to spend a weekend with her family in Karaman, a town in central Anatolia. It’s been five years since she decided to begin wearing a hijab and her father, Hamit, a widower and former military officer, is still coming to terms with the fact that his daughter is now a practising Muslim and an opposer of the military. Zehra and her brother Erol cross swords because Erol isn’t convinced by his sister’s faith. A black metal fan, Erol doesn’t believe in anything, and his sister always seems to provoke his destructive streak. Zehra needs to ask her father something but is reluctant to do so: she wants to continue her studies in Germany, where she can live the life she wants. It’s not a problem to wear a hijab there, it seems. Zehra could travel there – as the daughter of a member of the military she is more privileged than many of her age who are not able to go to Europe, but her father is reluctant to give her his permission – how can a Muslim woman leave a Muslim country to live in the West? The battlefronts begin to blur. But why shouldn’t she try to find a life between them?

original title: Karaman
country: Germany
sales agent: EYZ Media
year: 2012
genre: fiction
directed by: Tamer Yiğit, Branka Prlić
screenplay: Tamer Yiğit
cast: Işılay Gül, Talu Emre Tüntaş, Burak Yigit, Yusuf Kadir Han
cinematography by: Volker Sattel
film editing: Branka Prlić
music: Tamer Yiğit
producer: Tamer Yiğit
production: Fidan Film

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