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David Katz

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334 articles available in total starting from 11/07/2018. Last article published on 26/04/2024.

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Review: Kristos, The Last Child

Review: Kristos, The Last Child

VENICE 2022: Giulia Amati’s insightful documentary follows a messianically named tyke who’s the youngest person living on the 30-inhabitant-strong Greek island of Arki  

16/09/2022 | Venice 2022 | Giornate degli Autori

Review: Trenque Lauquen

Review: Trenque Lauquen

VENICE 2022: Argentinian director Laura Citarella steps up to the festival big leagues with this four-hour tale, following an academic researcher who decides to become a Sherlock Holmes-like gumshoe  

15/09/2022 | Venice 2022 | Orizzonti

Review: The Bride

Review: The Bride

VENICE 2022: Sérgio Tréfaut’s short, sharp film follows a female inductee of Daesh, as she awaits her own trial after her husband’s execution  

15/09/2022 | Venice 2022 | Orizzonti

Laura Citarella • Director of Trenque Lauquen

Interview: Laura Citarella • Director of Trenque Lauquen

“I think that maybe there is not just one reference I used; there is a whole map of books”

VENICE 2022: We spoke to the rising Argentinian filmmaker about her new four-hour-and-ten-minute work, which follows an amateur sleuth’s investigation into a brace of arcane mysteries  

14/09/2022 | Venice 2022 | Orizzonti

Review: The Damned Don’t Cry

Review: The Damned Don’t Cry

VENICE 2022: Fyzal Boulifa’s beautifully made second feature charts the divergent fortunes of a mother and her late-adolescent son in Morocco, who are forced into itinerant, unstable work  

14/09/2022 | Venice 2022 | Giornate degli Autori

Lav Diaz • Director of When the Waves Are Gone

Interview: Lav Diaz • Director of When the Waves Are Gone

“I consider my kind of filmmaking like writing a novel: I create real characters, the characters are fleshed out, and we see them living in the film”

VENICE 2022: We spoke to the Filipino auteur – famous for his epic-length works – about his long-awaited new feature, a revenge story set amidst the country’s narco-wars  

13/09/2022 | Venice 2022 | Out of Competition

Review: Love Life

Review: Love Life

VENICE 2022: Rising Japanese maestro Kôji Fukada steps up to his first major festival competition slot with this neatly structured tale of intersecting marriages  

07/09/2022 | Venice 2022 | Competition

Tahmina Rafaella • Director of Banu

Interview: Tahmina Rafaella • Director of Banu

“A complete storyline is something that we underestimate”

VENICE 2022: We chatted to the promising Azerbaijani director, whose debut feature follows a mother struggling to gain custody of her son in a patriarchal and sexist country  

06/09/2022 | Venice 2022 | Biennale College Cinema

Review: When the Waves Are Gone

Review: When the Waves Are Gone

VENICE 2022: Filipino great Lav Diaz makes another gruelling revenge tragedy, this time focusing on two dirty cops with a grudge  

06/09/2022 | Venice 2022 | Out of Competition

Review: Autobiography

Review: Autobiography

VENICE 2022: Echoes of Indonesia’s 31-year dictatorship abound in the present, in debutant Makbul Mubarak’s sombre political drama  

04/09/2022 | Venice 2022 | Orizzonti

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