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Kaleem Aftab

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558 articles available in total starting from 01/09/2017. Last article published on 01/06/2022.

Patricio Guzmán  • Director of My Imaginary Country

Interview: Patricio Guzmán • Director of My Imaginary Country

“The future is not written; the protestors are working towards a society that they would like and hope to see”

CANNES 2022: The Chilean helmer picks apart his documentary on the revolutionary events that took place in his home country in October 2019  

01/06 | Cannes 2022 | Special Screenings

Adil El Arbi and Bilall Fallah  • Directors of Rebel

Interview: Adil El Arbi and Bilall Fallah • Directors of Rebel

“Music and dance can really touch you on an emotional level more than any words can”

CANNES 2022: The duo of Belgian directors talk about trying to put the viewer in the shoes of two brothers who go to Syria to fight for ISIS  

01/06 | Cannes 2022 | Midnight Screenings

Marie Kreutzer  • Director of Corsage

Interview: Marie Kreutzer • Director of Corsage

“Even in my serious films, I like to create some laughter”

CANNES 2022: The Austrian director talks about blending drama and humour, Empress Elisabeth’s journey to freedom – and dogs  

31/05 | Cannes 2022 | Un Certain Regard

Erige Sehiri  • Director of Under the Fig Trees

Interview: Erige Sehiri • Director of Under the Fig Trees

“There is no sign of modernity in nature; it’s in these women, and especially the young girls”

CANNES 2022: The French-Tunisian director and producer breaks down several aspects of her beautiful and timeless narrative feature debut  

31/05 | Cannes 2022 | Directors’ Fortnight

Mark Jenkin  • Director of Enys Men

Interview: Mark Jenkin • Director of Enys Men

“My feeling is that the past, present and future all exist at the same time”

CANNES 2022: Cineuropa met up with the Cornish director to talk about the influences and superstitions that fed into his new film – plus red jackets  

30/05 | Cannes 2022 | Directors’ Fortnight

Review: Rebel

Review: Rebel

CANNES 2022: Adil El Arbi and Bilall Fallah’s audacious action film, about brothers going to Syria and being forced to fight for ISIS, is a fierce attack on the senses  

27/05 | Cannes 2022 | Midnight Screenings

Review: The Dam

Review: The Dam

CANNES 2022: Ali Cherri has crafted a bold, esoteric and aesthetically pleasing work set in a remote area of northern Sudan at the time of the 2019 military coup in the country  

27/05 | Cannes 2022 | Directors’ Fortnight

Review: Mediterranean Fever

Review: Mediterranean Fever

CANNES 2022: Maha Haj's unlikely buddy-buddy movie is a delightful comedy about depression  

25/05 | Cannes 2022 | Un Certain Regard

Marco Bellocchio • Director of Exterior Night

Interview: Marco Bellocchio • Director of Exterior Night

“I wouldn’t know how to make a good TikTok video”

CANNES 2022: The 82-year-old Italian helmer breaks down his multi-perspective take on the kidnapping of politician Aldo Moro in 1978  

25/05 | Cannes 2022 | Cannes Première

Review: Under the Fig Trees

Review: Under the Fig Trees

CANNES 2022: Erige Sehiri’s new feature has hints of Éric Rohmer as it shows Tunisian women working and flirting on an orchard  

23/05 | Cannes 2022 | Directors’ Fortnight

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