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CANNES 2024 ACID

Nove prime mondiali a Cannes per l’ACID

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- Il cinema indipendente sarà presente al Festival di Cannes con nove film, tra cui sei fiction e tre documentari guidati, fra gli altri, da Guillaume Brac e Josh Mond

Nove prime mondiali a Cannes per l’ACID
Ce n’est qu’un au revoir di Guillaume Brac

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Keen to offer visibility to high-quality independent works which often only enjoy limited broadcasting, and true to its editorial line marked by audacious and diverse outlooks, the ACID (Association du Cinéma Indépendant pour sa Diffusion – Association for Independent Film and its Distribution) section has unveiled its 32nd line-up. Set to be showcased on the Croisette between 15 and 24 May as part of the 77th Cannes Film Festival, the selection consists of 9 feature films screening in world premieres (including four first films and two second films), composed of six fiction films and three documentaries.

(L'articolo continua qui sotto - Inf. pubblicitaria)

Primed to steal focus in the showcase is French director Guillaume Brac’s documentary Ce n’est qu’un au revoir. Acclaimed for Tonnerre [+leggi anche:
recensione
trailer
intervista: Guillaume Brac
scheda film
]
(a first fiction feature discovered in competition in Locarno in 2013), July Tales [+leggi anche:
trailer
scheda film
]
(screened out of competition in Locarno 2017), the documentary Treasure Island [+leggi anche:
recensione
trailer
intervista: Guillaume Brac
scheda film
]
(in competition in Karlovy Vary 2018) and the fiction film All Hands on Deck [+leggi anche:
recensione
trailer
intervista: Guillaume Brac
scheda film
]
(screened in the 2020 Berlinale’s Panorama section), the filmmaker is now following a group of high school friends - Aurore, Nours, Jeanne, Diane and various others – who’ll be saying goodbye to their boarding rooms, swimming in the Drôme region and parties in the mountains. Louison cuts his dreads and their little family breaks apart. For some of them, it’s not the first time and it’s even more painful this time round… The movie is produced by bathysphère.

In terms of fiction, It Doesn’t Matter by American director Josh Mond (his second feature after James White, which won the Best of Next Audience Award at Sundance and which competed in Locarno in 2015) stands tall, alongside Fotogenico by French filmmakers Marcia Romano (nominated for 2022’s Best Adapted Screenplay César thanks to Happening [+leggi anche:
recensione
trailer
intervista: Anamaria Vartolomei
scheda film
]
and for 2016’s Best Original Screenplay via Standing Tall [+leggi anche:
recensione
trailer
intervista: Emmanuelle Bercot
scheda film
]
) and Benoît Sabatier, and Most People Die On Sundays by Argentina’s Iair Said (his second feature after the documentary Flora's Life is No Picnic).

Three first fiction features are also set for the showcase: Kyuka – Before Summer’s End by Greek director Kostis Charamountanis, Mi bestia by Colombia’s Camila Beltrán (read our article) and In Retreat by India’s Maisam Ali.

The line-up will be rounded off by another two French documentaries: Château rouge by Hélène Milano, and Mona Convert’s debut feature film A Fireland.

The Selection:

Ce n’est qu’un au revoir - Guillaume Brac (France)
Château rouge - Hélène Milano (France)
Fotogenico - Marcia Romano and Benoît Sabatier (France)
In Retreat - Maisam Ali (India/France)
It Doesn’t Matter - Josh Mond (USA/France)
Kyuka – Before Summer’s End - Kostis Charamountanis (Greece/Macedonia)
Mi bestia - Camila Beltrán (Colombia/France)
Most People Die On Sundays - Iair Said (Argentina/Italy/Spain)
A Fireland - Mona Convert (France)

(L'articolo continua qui sotto - Inf. pubblicitaria)

(Tradotto dal francese)

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