email print share on Facebook share on Twitter share on LinkedIn share on reddit pin on Pinterest

PRODUZIONE / FINANZIAMENTI Europa

Eurimages sostiene 26 coproduzioni

di 

- Nuovi progetti di Agnieszka Holland, Joachim Trier, Carla Simón, Tarik Saleh e Hafsia Herzi, tra i selezionati

Eurimages sostiene 26 coproduzioni
La regista Agnieszka Holland, il cui nuovo progetto Franz è stato selezionato (© Fabrizio de Gennaro/Cineuropa)

Questo articolo è disponibile in inglese.

The results of the first Eurimages Project Evaluation Session of 2024 have just been announced. Further to recommendations made by independent experts meeting online, the Executive Committee of the Fund has decided to support the co-production of 26 feature films, including 5 documentaries and 1 animation, for a total amount of €6 992 000. Of the 26 co-production projects supported during the session, 14 are to be directed by women. This represents 61.06% of the total funding awarded.

(L'articolo continua qui sotto - Inf. pubblicitaria)
Hot docs EFP inside

The films supported include the new work by acclaimed directors such as Polish filmmaker Agnieszka Holland, fresh off the success of her latest feature Green Border [+leggi anche:
recensione
trailer
scheda film
]
and having stepped down from the presidency of the European Film Academy to dedicate time to new films (read news), who has received €500,000 for Franz (Czech Republic/Germany/Poland), a Franz Kafka biopic scheduled to start filming this month (read news). Other acclaimed filmmakers that have received funding for their new projects are Norway's Joachim Trier, with €499 000 for Sentimental Value (Norway/France/Germany/Denmark), his follow-up to his Cannes-awarded and global hit The Worst Person in the World [+leggi anche:
recensione
trailer
intervista: Joachim Trier
scheda film
]
; Spain's Carla Simón, with €500,000 for Romería (Spain/France), her new film after his Golden Bear winner Alcarràs [+leggi anche:
recensione
trailer
intervista: Carla Simón
intervista: Carla Simón
intervista: Giovanni Pompili
scheda film
]
; and Sweden's Tarik Saleh, with €500,000 for his new film after Sundance winner The Nile Hilton Incident [+leggi anche:
recensione
trailer
intervista: Tarik Saleh
scheda film
]
and Cannes Competition entry Boy from Heaven [+leggi anche:
recensione
trailer
intervista: Tarik Saleh
scheda film
]
, Eagles of the Republic (Sweden/France/Denmark).

Other established filmmakers that have received funding for their new projects are French actor-director Hafsia Herzi, with €350 000 for her third outing behind the cameras after You Deserve a Lover [+leggi anche:
recensione
trailer
intervista: Hafsia Herzi
scheda film
]
and Good Mother [+leggi anche:
recensione
trailer
intervista: Hafsia Herzi
scheda film
]
, The Last One, a co-production between France and Germany); Sweden's Amanda Kernell (€500,000 for The Curse, a Love Story, a co-production between Sweden, Denmark and Norway, the filmmaker's new film after Sámi Blood [+leggi anche:
recensione
trailer
intervista: Amanda Kernell
intervista: Lars Lindstrom
scheda film
]
and Charter [+leggi anche:
recensione
trailer
intervista: Amanda Kernell
scheda film
]
); Serbia's Dane Komljen (€120,000 for Desire Lines, a co-production between Serbia, Netherlands, Croatia and Germany, his new feature after All the Cities of the North [+leggi anche:
recensione
trailer
intervista: Dane Komljen
scheda film
]
and Afterwater [+leggi anche:
recensione
trailer
scheda film
]
), Italy's Emanuela Piovano (€150,000 for Finale Allegro, a co-production between Italy and France) and Slovenia's Marko Naberšnik (€149,000 for Whites Wash at Ninety, a co-production between Slovenia, Italy, Serbia, North Macedonia and Montenegro).

Three second fiction features have also been funded: God Will Not Help (Croatia/Romania/France/Slovenia) by Croatia's Hana Jušić (Quit Staring at My Plate [+leggi anche:
recensione
trailer
intervista: Hana Jušić
scheda film
]
), with €390,000; Supporting Role (Georgia/Estonia/Turkey) by Georgia's Ana Urushadze (Scary Mother [+leggi anche:
recensione
trailer
intervista: Ana Urushadze
scheda film
]
) with €160,000, The Portuguese House (Spain/Portugal) by Spain's Avelina Prat (Vasil [+leggi anche:
recensione
trailer
intervista: Avelina Prat
scheda film
]
) with €350,000; and Fed Up (Spain/Belgium) by Spain's Júlia De Paz Solvas (Ama [+leggi anche:
trailer
scheda film
]
) with €250,000.

The supported first fiction features are Sleepless City (Spain/France) by Spain's Guillermo García López with €340,000; Brave (Switzerland/Belgium) by Switzerland's Marie-Elsa Sgualdo, with €300,000; Don't Let Me Die (Romania/Bulgaria) by Romania's Andrei Epure, with €150,000; Haven of Hope (France/Germany/Netherlands) by Pakistan's Seemab Gul, with €150,000; No Rest for the Wicked (Denmark/Iceland) by Denmark's Kasper Kalle Skovsbøl with €480,000; Pastoral Pathways (France/Germany/Turkey) by Turkey's Ahmet Necdet Çupur with €82,000; and Strange River (Spain/Germany) by Spain's Jaume Claret Muxart, with €200,000.

The only animation film financed is Seraphine (France/Luxembourg) by France's Sarah Van Den Boom with €500,000; .

Regarding the supported documentaries, the titles are Fantastique (Belgium/France/Netherlands) by Belgium's Marjolijn Prins with €89,000; If Pigeons Turned to Gold (Czech Republic/Slovakia) by Czech Republic's Josefina Lubojacki with €36,000; Nostalgia for the Future (Belgium/Netherlands/Italy) by Belgium's Brecht Debackere with €95,000; Supernatural (Spain/Belgium/France) by Spain's Ventura Durall with €72,000; and 9-Month Contract (Georgia/Bulgaria) by Georgia's Ketevan Vashagashvili with €80,000.

(L'articolo continua qui sotto - Inf. pubblicitaria)

(Tradotto dall'inglese)

Ti è piaciuto questo articolo? Iscriviti alla nostra newsletter per ricevere altri articoli direttamente nella tua casella di posta.

Privacy Policy