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Al via le riprese di Maria di Jessica Palud

di 

- Anamaria Vartolomei, Matt Dillon e Yvan Attal nel cast del secondo lungometraggio della cineasta francese, guidato da Fin Août Productions e venduto da Orange Studio

Al via le riprese di Maria di Jessica Palud
L'attrice Anamaria Vartolomei (© DeuxPlusQuatre) e gli attori Matt Dillon (© Georges Biard) e Yvan Attal (© La Biennale di Venezia Foto ASAC/G. Zucchiatti)

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Shooting began last Monday for Maria, Jessica Palud's second feature film after Back Home [+leggi anche:
recensione
trailer
scheda film
]
(Best Orizzonti Screenplay at Venice 2019). Headlining the cast are the Franco-Romanian Anamaria Vartolomei (winner of the Lumière award for Best Actress and the César for Best Emerging Actress in 2022 for Happening [+leggi anche:
recensione
trailer
intervista: Anamaria Vartolomei
scheda film
]
, and Shooting Star at European Film Promotion in the same year) in the role of the actress Maria Schneider, the famous American Matt Dillon (nominated for the 2006 Oscar for Best Supporting Actor, recently seen in The House That Jack Built [+leggi anche:
recensione
trailer
intervista: Lars von Trier
scheda film
]
and Proxima, and just seen at Cannes in Asteroid City) as Marlon Brando, and Yvan Attal (nominated for a 2010 César for Best Actor, seen this year in The Sitting Duck [+leggi anche:
recensione
trailer
intervista: Jean-Paul Salomé
scheda film
]
and the mini-series Bardot [+leggi anche:
intervista: Danièle e Christopher Thom…
intervista: Manuel Alduy
scheda series
]
).

(L'articolo continua qui sotto - Inf. pubblicitaria)
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Also in the cast are Marie Gillain (nominated for a César in 1998 and 2012 for Best Actress, still in French cinemas for Big Kids [+leggi anche:
recensione
trailer
scheda film
]
), Céleste Brunnquell (nominated for a César for Best Newcomer and a Lumière for Best Revelation in 2020 for The Dazzled [+leggi anche:
trailer
scheda film
]
, starring in Spare Keys [+leggi anche:
recensione
trailer
scheda film
]
on 14 June, at her best last week at Cannes in No Love Lost [+leggi anche:
recensione
trailer
intervista: Erwan Le Duc
scheda film
]
and soon to be seen in En attendant la nuit) and Stanislas Merhar (winner of the 1998 César for Best Newcomer, also recently seen at Cannes in Bonnard, Pierre and Marthe [+leggi anche:
recensione
trailer
intervista: Martin Provost
scheda film
]
).

Adapted by Jessica Palud and Laurette Polmanss (nominated for a 2016 Lumière for Best Screenplay for Summertime [+leggi anche:
recensione
trailer
scheda film
]
, a 2019 César for Best Adaptation for An Impossible Love [+leggi anche:
recensione
trailer
scheda film
]
and a 2022 César for Best Original Screenplay for The Divide [+leggi anche:
recensione
trailer
intervista: Catherine Corsini
scheda film
]
) from the novel My Cousin Maria Schneider: A Memoir by Vanessa Schneider, the script plunges into 1969. Maria is wild and free. Breathtakingly beautiful. She is no longer a child, not yet an adult when she inflammes the film roll of a young and promising Italian, a closed-door session of sex and violence, alongside an American star. She becomes famous. She wasn’t prepared for anything, neither fame nor scandal…

Maria was produced by Marielle Duigou for Fin Août Productions (already a partner in the director's first feature), and is coproduced by Orange Studio who will handle international sales. Pre-acquired by OCS and Ciné+, the feature is also supported by the Brittany region and Sofica Cofimage. Shooting began in Paris and will continue in Brittany with Sébastien Buchmann (nominated for a Lumière 2023 award for The Passengers of the Night [+leggi anche:
recensione
trailer
intervista: Mikhaël Hers
scheda film
]
) as director of photography. Its distribution in French cinemas will be handled by Haut et Court.

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