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Cannes 2018 / Directors' Fortnight

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28 articles available in total starting from 30/03/2018. Last article published on 22/05/2018.

Review: Amin

Review: Amin

CANNES 2018: Ever-faithful to his values of simplicity and truth, Philippe Faucon puts his name to a clear-cut film exploring the life of a Senegalese man living in France without his family  

16/05/2018 | Cannes 2018 | Directors’ Fortnight

Review: Dear Son

Review: Dear Son

CANNES 2018: Mohamed Ben Attia continues to fine-tune the style he used in his debut film in the story of a Tunisian father whose distant and uncommunicative son suddenly vanishes  

15/05/2018 | Cannes 2018 | Directors’ Fortnight

Review: Climax

Review: Climax

CANNES 2018: Gaspar Noé, at the peak of his skills in nightmarish immersion, offers us a film in which a dance troupe is taken hostage by a very bad trip  

15/05/2018 | Cannes 2018 | Directors' Fortnight

Review: The World Is Yours

Review: The World Is Yours

CANNES 2018: Romain Gavras directs a hilarious film with a well-developed plot that leads to a gang of petty drug dealers pretending to be gangsters on the Costa Brava  

13/05/2018 | Cannes 2018 | Directors' Fortnight

Review: The Load

Review: The Load

CANNES 2018: Ognjen Glavonić's first fiction feature is a stark look at a war crime from the Kosovo War and its implications, with Leon Lučev giving an amazing performance in the main role  

13/05/2018 | Cannes 2018 | Directors’ Fortnight

Ognjen Glavonić  • Director of The Load

Interview: Ognjen Glavonić • Director of The Load

“Paths are made by walking”

CANNES 2018: Serbian filmmaker Ognjen Glavonić tells us about how his first fiction feature, The Load, came into being  

12/05/2018 | Cannes 2018 | Directors’ Fortnight

Guillaume Nicloux • Director

Interview: Guillaume Nicloux • Director

"What I’m interested in is research and experience"

CANNES 2018: Guillaume Nicloux explains his film To The Ends Of The World, diving headlong into the jungle of deepest Indochina, as unveiled in the 50th Directors’ Fortnight  

12/05/2018 | Cannes 2018 | Directors' Fortnight

Review: Los silencios

Review: Los silencios

CANNES 2018: The second film by Beatriz Seigner (Bollywood Dream) is a contemporary refugee tale wrapped up in a ghost story  

12/05/2018 | Cannes 2018 | Directors’ Fortnight

Review: Treat Me Like Fire

Review: Treat Me Like Fire

CANNES 2018: Marie Monge’s feature debut punchily portrays the toxic downward spiral that starts when a young woman falls head over heels for a gambling addict  

11/05/2018 | Cannes 2018 | Directors’ Fortnight

Review: To The Ends of The World

Review: To The Ends of The World

CANNES 2018: Guillaume Nicloux dives headlong into the Indochinese jungle of 1945 with a hypnotic war film, exploring the internal struggle between life and death  

10/05/2018 | Cannes 2018 | Directors' Fortnight

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