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7042 film reviews available in total starting from 04/09/2002. Last updated on 06/06/2024. 753 film reviews inserted in the last 12 months.
LATEST
My Name Is Alfred Hitchcock by Mark Cousins
03/03/2023
“Alfred Hitchcock” narrates Mark Cousins’ latest documentary, exploring just how the Master of Suspense has continually managed to enthral audiences for a century
Mixed By Erry by Sydney Sibilia
02/03/2023
The new movie by Sydney Sibilia, who directed I Can Quit Whenever I Want, recounts the rise and fall of the king of pirate cassette tapes in Naples, and is a breath of fresh air for Italian comedy
The Trial by Ulises de la Orden
BERLINALE 2023: Argentinian director Ulises de la Orden went through 530 hours of historical footage to craft a moving edit of one of the most important Latin American court trials
Being in a Place – A Portrait of Margaret Tait by Luke Fowler
BERLINALE 2023: Drawing inspiration from an unrealised project and her personal archive, Luke Fowler crafts a tribute to pioneering filmmaker and poet Margaret Tait
Measures of Men by Lars Kraume
BERLINALE 2023: In his historical drama, Lars Kraume shows the appalling legacy of German colonialism in modern-day Namibia
La memoria del mondo by Mirko Locatelli
Time, memories and nostalgia are central to Mirko Locatelli’s fourth feature film, which is visually superb but whose narration leaves us cold
Delegation by Asaf Saban
01/03/2023
BERLINALE 2023: Asaf Saban presents an energetic and slightly confusing coming-of-age drama about Israeli high-schoolers visiting former death camps
Seven Winters in Tehran by Steffi Niederzoll
BERLINALE 2023: Steffi Niederzoll's prizewinning documentary sensitively and thoughtfully tells the story of a young Iranian woman executed for killing her rapist
Notes from Eremocene by Viera Čákanyová
BERLINALE 2023: In Slovak documentarian Viera Čákanyová’s lucid essay film, there are two options: ascend to the virtual realm, or just log off
Living Bad by João Canijo
28/02/2023
BERLINALE 2023: João Canijo presents the “reverse” of his main competition title, although the two films don’t really mirror each other, with this one coming off as a lacklustre copy
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