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7035 film reviews available in total starting from 04/09/2002. Last updated on 27/05/2024. 751 film reviews inserted in the last 12 months.
LATEST
Night Shift by Anne Fontaine
29/02/2020
BERLINALE 2020: Virginie Efira, Grégory Gadebois and Omar Sy play police officers racked with self-questioning, caught between obeying orders and following their conscience in Anne Fontaine’s new film
Charlatan by Agnieszka Holland
28/02/2020
BERLINALE 2020: In her new film, Agnieszka Holland finds herself a new real-life hero. And then makes him human
All the Dead Ones by Marco Dutra, Caetano Gotardo
BERLINALE 2020: Caetano Gotardo and Marco Dutra team up for an ambitious period piece that resonates with their country's present social situation but falls short in execution
Irradiated by Rithy Panh
BERLINALE 2020: Rithy Panh presents a merciless perspective on humans, evil and destruction in the 20th century, in his sophisticated documentary, an astonishing metaphysical poem on the atomic age
Shine Your Eyes by Matias Mariani
BERLINALE 2020: Matias Mariani tells a tale that is out of Africa but is soaked in the magical-realist tradition of South American storytelling
Red Moon Tide by Lois Patiño
BERLINALE 2020: The second feature film by Lois Patiño is a highly aesthetic ghostly dream, which pays tribute to his Galician homeland, where death is inextricably linked to the sea
Curveball by Johannes Naber
BERLINALE 2020: Relying equally heavily on artistic licence and very real fake news, Johannes Naber turns the Iraqi WMD havoc into an outrageous black comedy
The Roads Not Taken by Sally Potter
27/02/2020
BERLINALE 2020: Sally Potter’s main competition contender is a story of a writer trapped inside his mind by illness, which thrives on Javier Bardem’s stunning performance
A Common Crime by Francisco Márquez
BERLINALE 2020: Argentina’s Francisco Márquez denounces the persecution of civilians in his psychological thriller about a woman who unwittingly becomes an accessory to a crime
Berlin Alexanderplatz by Burhan Qurbani
BERLINALE 2020: Burhan Qurbani’s opus huffs and puffs, but fails to blow the house down
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