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REPORT: Cannes 2024

Cineuropa is covering the 77th Cannes Film Festival live from the Croisette with reviews, interviews and market reports...

REPORT: Cannes 2024
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212 articles available in total starting from 07/12/2023. Last article published on 25/05/2024.

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Miguel Gomes • Director of Grand Tour

Interview: Miguel Gomes • Director of Grand Tour

"My film is almost like a joke, about men being so cowardly and women being so determined"

CANNES 2024: The Portuguese filmmaker talks about his new film, a travelogue drama about colonialism, social divides and love  

25/05 | Cannes 2024 | Competition

Ariane Labed • Director of September Says

Interview: Ariane Labed • Director of September Says

"Unconditional love in the family can be a safe place, but at the same time it can become manipulation"

CANNES 2024: The Greek-French actress has talked to us about her first feature as a director, a mysterious and haunting tale of two sisters raised by a single mother  

25/05 | Cannes 2024 | Un Certain Regard

Sean Baker’s Anora scoops the Palme d’Or at Cannes

Sean Baker’s Anora scoops the Palme d’Or at Cannes

CANNES 2024: The Grand Prix has gone to India’s Payal Kapadia, two awards to Emilia Perez by Jacques Audiard, and other accolades to Miguel Gomes, Coralie Fargeat and Mohammad Rasoulof  

25/05 | Cannes 2024 | Awards

Review: The Most Precious of Cargoes

Review: The Most Precious of Cargoes

CANNES 2024: Michel Hazanavicius delivers a jewel of animation, modest, poignant and profound, about the topic of the death camps always extremely delicate to represent  

25/05 | Cannes 2024 | Competition

Cannes’ Golden Eye goes to Ernest Cole, Lost and Found and The Brink of Dreams

Cannes’ Golden Eye goes to Ernest Cole, Lost and Found and The Brink of Dreams

CANNES 2024: The movies by Haiti’s Raoul Peck and Egyptian duo Nada Riyadh and Ayman El Amir have split the award for the best documentary screened at the festival  

25/05 | Cannes 2024 | Awards

Review: Plastic Guns

Review: Plastic Guns

CANNES 2024: Jean-Christophe Meurisse’s third feature is a farcical retelling of real-life events that leans heavily on macabre humour  

25/05 | Cannes 2024 | Directors’ Fortnight

Review: A Fireland

Review: A Fireland

CANNES 2024: It’s a pyrotechnics paradise in Mona Convert’s experimental feature debut, set amidst the Landes forest in Nouvelle-Aquitaine  

25/05 | Cannes 2024 | ACID

Jean-Christophe Meurisse • Director of Plastic Guns

Interview: Jean-Christophe Meurisse • Director of Plastic Guns

“My characters are disguising their actual lives and trying to step into different ones, even if it will eventually destroy them”

CANNES 2024: Wannabe detectives and murderers without a conscience seek each other out in the French director’s film – and predictably, mayhem ensues  

25/05 | Cannes 2024 | Directors’ Fortnight

Review: September Says

Review: September Says

CANNES 2024: Ariane Labed adapts Daisy Johnson’s coming-of-age novel Sisters into one of the year’s finest directorial debuts  

25/05 | Cannes 2024 | Un Certain Regard

Review: To a Land Unknown

Review: To a Land Unknown

CANNES 2024: Mahdi Fleifel’s second feature is a migrant drama steeped in empathy, boasting an uncompromising lead performance by Mahmood Bakri  

25/05 | Cannes 2024 | Directors’ Fortnight

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